"I was young. It was just the kind of shit that actresses have to go through. Somebody told me I was fat, that I was going to get fired if I didn’t lose a certain amount of weight. They brought in pictures of me where I was basically naked, and told me to use them as motivation for my diet. It was just that. [Someone brought it up recently] They thought that because of the way my career had gone, it wouldn’t still hurt me. That somehow, after I won an Oscar, I’m above it all. ‘You really still care about that?’ Yeah. I was a little girl. I was hurt. It doesn’t matter what accolades you get. I know it’ll never happen to me again. If anybody even tries to whisper the word ‘diet’, I’m like, ‘You can go fuck yourself.”
she’s my role model, I love her so much omg
Oxford Circus tube station in the Borough of Westminster.
Giant driftwood on the beach at La Push, Washington (2010)
this made me feel really uneasy, the ocean is terrifying.
its like when cats bring home a dead bird and drop it at your feet except the ocean is like I HAVE BROUGHT YOU THIS ENORMOUS TREE FROM THE DEPTHS OF HELL ENJOY
the best of hot occupations, side by side.
Broken Mirror/Evening Sky is a new series of striking landscape photographs by New York based artist Bing Wright. Departing from his usual pared down images in grey palettes, Wright offers us moving skyscape photographs of richly colored sunsets reflected onto broken mirrors. This new body of work marks his first return to color photography in almost a decade.
The images are meticulously constructed through a combination of traditional documentary landscape photographs and the subtle manipulations of an image in the studio. Wright photographs sunsets, then projects the images onto mirrors he has broken in the studio. The mirrors are small, measuring just 14 x 11 inches. The artist re-photographs the reflection and then enlarges the image into a large scale format. This beautiful series incorporates Wright’s recurring themes of abstraction and representation – a contrast he masterfully balances by grounding these shards of images into a bold structure. While more abstract than some of his earlier works, the composition carries a narrative that enables the viewer to collectively experience the beauty of the sunsets the artist has captured, while facilitating an individual interpretation of the emotion they imbue. We are presented with pictorial images, fragmented and in disrepair – a reminder that everything beautiful is flawed and imperfect. Bing’s signature large format lends these images symmetry and exact composition, giving them a majestic quality. (src. James Harris Gallery)
© All images courtesy the artist